Sous le ground

Trente ans après cette tornade féministe punk, le mouvement Riot Grrrl continue de faire des adeptes un peu partout dans le monde, même ici au Québec. Des groupes de punk-rock féminin s'inspirent encore de celles qui n'avaient pas la langue dans leur case de guit' en ce qui concernait l'égalité des sexes et le respect femmes de cette scène musicale. Les zines, leurs grandes gueules, le talent et le courage étaient leurs armes. *Descriptif du mix musical à la suite du manifeste, plus bas.     RIOT GRRRL MANIFESTO The Riot Grrrl Movement began in the early 1990s by Washington Stateband Bikini Kill and lead singer Kathleen Hanna.The riot grrrl manifestowas published 1991 in the BIKINI KILL ZINE 2. BECAUSE us girls crave records and books and fanzines that speak to US that WE feel included in and can understand in our own ways.BECAUSE we wanna make it easier for girls to see/hear each other's work so that we can share strategies and criticize-applaud each other.BECAUSE we must take over the means of production in order to create our own meanings.BECAUSE viewing our work as being connected to our girlfriends-politics-real lives is essential if we are gonna figure out how we are doing impacts, reflects, perpetuates, or DISRUPTS the status quo.BECAUSE we recognize fantasies of Instant Macho Gun Revolution as impractical lies meant to keep us simply dreaming instead of becoming our dreams AND THUS seek to create revolution in our own lives every single day by envisioning and creating alternatives to the bullshit christian capitalist way of doing things.BECAUSE we want and need to encourage and be encouraged in the face of all our own insecurities, in the face of beergutboyrock that tells us we can't play our instruments, in the face of "authorities" who say our bands/zines/etc are the worst in the US andBECAUSE we don't wanna assimilate to someone else's (boy) standards of what is or isn't.BECAUSE we are unwilling to falter under claims that we are reactionary "reverse sexists" AND NOT THE TRUEPUNKROCKSOULCRUSADERS THAT WE KNOW we really are.BECAUSE we know that life is much more than physical survival and are patently aware that the punk rock "you can do anything" idea is crucial to the coming angry grrrl rock revolution which seeks to save the psychic and cultural lives of girls and women everywhere, according to their own terms, not ours.BECAUSE we are interested in creating non-heirarchical ways of being AND making music, friends, and scenes based on communication + understanding, instead of competition + good/bad categorizations.BECAUSE doing/reading/seeing/hearing cool things that validate and challenge us can help us gain the strength and sense of community that we need in order to figure out how bullshit like racism, able-bodieism, ageism, speciesism, classism, thinism, sexism, anti-semitism and heterosexism figures in our own lives.BECAUSE we see fostering and supporting girl scenes and girl artists of all kinds as integral to this process.BECAUSE we hate capitalism in all its forms and see our main goal as sharing information and staying alive, instead of making profits of being cool according to traditional standards.BECAUSE we are angry at a society that tells us Girl = Dumb, Girl = Bad, Girl = Weak.BECAUSE we are unwilling to let our real and valid anger be diffused and/or turned against us via the internalization of sexism as witnessed in girl/girl jealousism and self defeating girltype behaviors.BECAUSE I believe with my wholeheartmindbody that girls constitute a revolutionary soul force that can, and will change the world for real. Source: https://www.historyisaweapon.com/defcon1/riotgrrrlmanifesto.html    Mix musical Doe / The Breeders / Pod (1990) Shitlist / L7 / Bricks are Heavy (1992) Axemen / Heavens to Betsy / Calculated (1994) Bruise Violet / Babes in Toyland / Fontanelle (1992) Herjazz / Huggy Bear / Talking the Rough With the Smooch (1993) Cool Schmool / Bratmobile / Pottymouth (1993) How to Play Dead / Sleater-Kinney / Sleater-Kinney (1995) Typical Girls / The Slits / Cut (1979) Dead Men Don’t Rape / 7 Year Bitch / Sick’em (1992) Féministe Frustrée / Chârogne / Mange-moi (2017) Face Down / White Lung / Deep Fantasy (2014)   Durant l'épisode Rebel Girl / Bikini Kill / New Radio (1993) Cherry Bomb / The Runaways / Single (1976) Violet / Hole / Single (1994) Polaroid Baby / Bratmobile / Pottymouth (1992) Jumpers / Sleater Kinney / The Woods (2005) Second Skin / The Gits / Frenching The Bully (1992) Putin Lights Up The Fire / Pussy Riot / Single (2012)

Électro downtempo, un peu de synthwave nostalgique, beaucoup de douceur pour les oreilles. Parfait pour danser un slow avec toi-même dans ton salon. Vive la quarantaine! On vous revient (si tout va bien) la semaine prochaine avec un épisode régulier. Bonne écoute!   Mix Sensitive / Mr Twin Sister / Mr Twin Sister / 2014 MSQ No-Extra / Black Marble / A Different Arrangement / 2012 Kohroku (Unreleased) / Mac de Marco / Mac de Marco Archives / 2020 Through Your Hands Love Can Shine / Turbotito (Giorgio Tuma & Laetitia Sadier) / Remixes / 2017 Porcelain / The Agnes Circle / Some Vague Desire / 2016 Dans votre monde / End of Data / Dans votre monde / 1985  You and Me Both / Arthur Russel / Calling Out of Context / 2004 Leave Me Be / Choir Boy / Passive With Desire / 2016 Nothing’s Gonna Hurt You Baby / Cigarettes After Sex / Cigarettes After Sex / 2015 Shine / Slowdive / Pygmalion / 1992 Lost and Found / The Radio Dept. / Lesser Matters / 2003  Sketch For Summer / The Durutti Column / The Return Of The Durutti Column / 1980 Set Me Free / Mr Twin Sister / Salt / 2018

Ce sous-genre du rock a donné une bonne poussée à l’émergence du grunge, qui lui, l'aura pas pire éclipsé quelques années plus tard. De Slowdive à My Bloody Valentine en passant par Lush, les groupes britanniques qui ont forgé l'identité du shoegaze continuent d'en inspirer plusieurs aujourd'hui. Découvrez dans cet épisode pourquoi on les surnommait les "reluqueurs de chaussures" ou encore "the scene that celebrates itself".    Mix musical Feed Me With Your Kiss / My Bloody Valentine / Isn’t Anything / 1988 It Is Nothing / A Place to Bury Strangers / Exploding Head / 2009 Jack / Moose / Jack / 1991 Sludge / Vivian Girls / Memory / 2019 De-Luxe / Lush / Mad Love / 1990 The Body, It Bends / A Sunny Day In Glasgow / Sea When Absent / 2014 Nineteen / Penny Diving / Big Inhale / 2020 Throwing Back the Apple / Pale Saints / In Ribbons / 1992 Agent double / Corridor / Junior / 2019 Star Roving / Slowdive / Slowdive / 2017 Durant l'émission 40 Days / Slowdive / Souvlaki / 1993 Soon / My Bloody Valentine / Loveless / 1991 Just Like Honey / Jesus & Mary Chain / Psychocandy / 1985 Slomo / Slowdive / Slowdive / 2017  Iceblink / Cocteau Twins / Iceblink Luck / 1990  Sweetness and Light / Lush / Mad Love / 1990 Sur l'autre rive, je t'attendrai / Alcest / Souvenirs d'un autre monde / 2007 Heaven (Reprise des Talking Heads) / Penny Diving / Single / 2018   Le documentaire Beautiful Noise, 2014. https://www.beautifulnoisedocumentary.com/  

Incursion dans la pop japonaise des belles années 1980. Dans notre dictionnaire, c'est la définition même du romantisme cheesy. On se retrouve la semaine prochaine pour un épisode régulier concernant la musique Celtique, cette fois. Bonne écoute! Plastic Love / Mariya Takeuchi / Variety / 1984 Midnight Joke / Takako Mamiya / Love Trip / 1982  Take Me /  Casiopea / Mint Jams / 1982 都会 / Taeko Ohnuki / Sunshower / 1977  Love Was Really Gone / Makoto Matsushita  / First Light / 1981 Western Bolero / Miharu Koshi and Harry Hosono jr. / Swing Slow / 1986  Midnight Pretenders / Tomoko Aran / Fuyü-Kükan = 浮遊空間 / 1983 Tuxedo Connection / Hitomi Tohyama / Sexy Robot / 1988 Evening Shadows / Hiroshi Sato / Seaside Lovers / 2019 Magic Ways / Tatsuro Yamashita / Big Wave / 1984  You’re a Melody (Extended Disco Version) / Aged In Harmony / Single / Quelque part entre 1973 et 1978 à Détroit Tibetan Dance / Ryuichi Sakamoto / Illustrated Musical Encyclopedia / 1986 Sa fosca / Joan Bibiloni / Born / 1989

On décortique l’ADN de la trip-hop, qui est bien plus complexe que de la simple musique « downtempo ». Dans l’ère post acid-house, l’Angleterre des années 1990 a vu naître un tout nouveau genre musical qui a pris racine tant dans le dub et le reggae jamaïcain, dans le hip-hop new-yorkais ou le post-punk anglais, que dans les musiques électroniques et l’acid-jazz.   Mix musical Glory Box / Portishead / Dummy / 1994 Unfinished Sympathy / Massive Attack / Blue Lines / 1991 Gimme Your Love / Morcheeba / Head Up High / 2013 Tops & Bottoms / Mr Twin Sister / Salt / 2018 All Is Full of Love / Björk / Homogenic / 1999 When I Grow Up / Fever Ray / Fever Ray / 2009 Before Today / Everything But the Girl / Walking Wounded / 1996 Overcome / Tricky / Maxinquaye / 1995 Gorecki / Lamb / Lamb / 1996   Pendant l'émission Teardrop / Massive Attack / Mezzanine / 1991 In/Flux / DJ Shadow / In/Flux / 1994 Tattoo / Siouxsie & The Banshees / Dear Prudence / 1983 Liberty City / Mark Stewart & the Maffia / 1983 Final Home / DJ Krush feat. Esthero / Kakusei / 1999 It Could be Sweet / Portishead / Dummy / 1994 Keep The Streets Empty For Me / Fever Ray / Fever Ray / 2009 Set me free / Mr Twin Sister / Salt / 2018